Listen to every change, then choose the shape of the whole phrase: rising, falling, up then down, or down then up. The first and last note alone may hide a turn in the middle.
A · Worked example
Rises throughout
Sounding pitches: E4 · F#4 · G#4 · B4
Follow every adjacent pair in the short melody. Draw its shape in the air as the notes unfold.
The melody rises throughout: E4 → F#4 → G#4 → B4. Listen for the direction of every step.
B · Compare the difference
Falls throughout
Sounding pitches: B4 · G#4 · F#4 · E4
Compare complete contours: these melodies rise, fall, or turn. The first and last notes alone may miss the turn.
The melody falls throughout: B4 → G#4 → F#4 → E4. Listen for the direction of every step.
For aural examples, sounding pitch names are a listening reference. Written-note exercises preserve the displayed spelling.
Check the idea: A contour records direction across a sequence, independently of its absolute starting note.
1 · Guided practice
Say “up,” “down,” or “same” after each change, then select the contour that matches all changes.
2 · Independent practice
Identify the whole shape across different starting pitches. Replay when a middle note is lost from memory.
3 · New-question check
Trace a fresh melody from its first pitch. Verify the middle turning point rather than relying on the final register.
Each session starts with two guided questions, then your chosen practice set, followed by two new questions at a different tempo. First answers, same-question retries, and the final check have separate results.
Only the final note is remembered. Compare two adjacent notes before linking more pairs. Higher or Lower
Repeated pitch sounds like a direction change. Re-establish the sound of a unison. Unison and Octave
Practice on paper or with a teacher
The teacher pack includes 10 fixed questions, replay controls, a student sheet, and a separate answer key. The printed key and downloaded JSON use the same questions.