Triad Inversions · Teacher pack

Identify which chord member is in the bass.

beginner · 10 questions · 90 quarter-note BPM · Pack 710041

Print on A4 or Letter paper. The answer key starts on a separate page. Use your print dialog’s page range to give learners only the student section.

Teacher instructions

Play each numbered question from this page. Use the same replay policy for all learners. Keep the answer section separate until the first response is recorded. For tapping tasks, record an observation on paper; use the online trainer for device-timed scoring.

Start with the labeled lesson examples. Play each question at the printed tempo, record the first response, then allow a correction. Use the online trainer for a separate new-question check.

Student practice sheet

Name: __________________________ Date: __________________

Identify root position, first inversion, and second inversion across changing roots. The challenge level may use minor triads.

  1. Question 1

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  2. Question 2

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  3. Question 3

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  4. Question 4

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  5. Question 5

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  6. Question 6

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  7. Question 7

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  8. Question 8

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  9. Question 9

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________
  10. Question 10

    Listen to the numbered example and select an answer.

    • □ Root position
    • □ First inversion
    • □ Second inversion
    First answer: __________________________________________________
    Correction after review: ________________________________________

After practice

One distinction I can explain: __________________________________

One skill to revisit: __________________________________________

Teacher answer key

Triad Inversions · Pack 710041 · 90 quarter-note BPM. These answers match the numbered student sheet.

  1. Question 1

    Root position

    Root position: root C4, bass C4; sounding notes C4, E4, G4. The root stays the same when the voicing changes.

    Sounding pitches: C4 · E4 · G4

  2. Question 2

    Second inversion

    Second inversion: root C4, bass G4; sounding notes G4, C5, E5. The root stays the same when the voicing changes.

    Sounding pitches: G4 · C5 · E5

  3. Question 3

    Root position

    Root position: root C4, bass C4; sounding notes C4, E4, G4. The root stays the same when the voicing changes.

    Sounding pitches: C4 · E4 · G4

  4. Question 4

    First inversion

    First inversion: root D4, bass F#4; sounding notes F#4, A4, D5. The root stays the same when the voicing changes.

    Sounding pitches: F#4 · A4 · D5

  5. Question 5

    First inversion

    First inversion: root D4, bass F#4; sounding notes F#4, A4, D5. The root stays the same when the voicing changes.

    Sounding pitches: F#4 · A4 · D5

  6. Question 6

    Second inversion

    Second inversion: root C4, bass G4; sounding notes G4, C5, E5. The root stays the same when the voicing changes.

    Sounding pitches: G4 · C5 · E5

  7. Question 7

    First inversion

    First inversion: root C#4, bass F4; sounding notes F4, G#4, C#5. The root stays the same when the voicing changes.

    Sounding pitches: F4 · G#4 · C#5

  8. Question 8

    First inversion

    First inversion: root D#4, bass G4; sounding notes G4, A#4, D#5. The root stays the same when the voicing changes.

    Sounding pitches: G4 · A#4 · D#5

  9. Question 9

    Second inversion

    Second inversion: root C#4, bass G#4; sounding notes G#4, C#5, F5. The root stays the same when the voicing changes.

    Sounding pitches: G#4 · C#5 · F5

  10. Question 10

    First inversion

    First inversion: root D4, bass F#4; sounding notes F#4, A4, D5. The root stays the same when the voicing changes.

    Sounding pitches: F#4 · A4 · D5

Keep three observations separate

First independent responses: __________________________________

Corrections on the same questions: ____________________________

New-question check on a later set: _____________________________

Use fresh voicings to check the root/bass relationship without memorizing one stack of pitches.