Triad Inversions · Teacher pack
Identify which chord member is in the bass.
beginner · 10 questions · 90 quarter-note BPM · Pack 710041
Print on A4 or Letter paper. The answer key starts on a separate page. Use your print dialog’s page range to give learners only the student section.
Teacher instructions
Play each numbered question from this page. Use the same replay policy for all learners. Keep the answer section separate until the first response is recorded. For tapping tasks, record an observation on paper; use the online trainer for device-timed scoring.
Start with the labeled lesson examples. Play each question at the printed tempo, record the first response, then allow a correction. Use the online trainer for a separate new-question check.
Student practice sheet
Name: __________________________ Date: __________________
Identify root position, first inversion, and second inversion across changing roots. The challenge level may use minor triads.
Question 1
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 2
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 3
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 4
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 5
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 6
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 7
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 8
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 9
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________Question 10
Listen to the numbered example and select an answer.
First answer: __________________________________________________Correction after review: ________________________________________
After practice
One distinction I can explain: __________________________________
One skill to revisit: __________________________________________
Teacher answer key
Triad Inversions · Pack 710041 · 90 quarter-note BPM. These answers match the numbered student sheet.
Question 1
Root position
Root position: root C4, bass C4; sounding notes C4, E4, G4. The root stays the same when the voicing changes.
Sounding pitches: C4 · E4 · G4
Question 2
Second inversion
Second inversion: root C4, bass G4; sounding notes G4, C5, E5. The root stays the same when the voicing changes.
Sounding pitches: G4 · C5 · E5
Question 3
Root position
Root position: root C4, bass C4; sounding notes C4, E4, G4. The root stays the same when the voicing changes.
Sounding pitches: C4 · E4 · G4
Question 4
First inversion
First inversion: root D4, bass F#4; sounding notes F#4, A4, D5. The root stays the same when the voicing changes.
Sounding pitches: F#4 · A4 · D5
Question 5
First inversion
First inversion: root D4, bass F#4; sounding notes F#4, A4, D5. The root stays the same when the voicing changes.
Sounding pitches: F#4 · A4 · D5
Question 6
Second inversion
Second inversion: root C4, bass G4; sounding notes G4, C5, E5. The root stays the same when the voicing changes.
Sounding pitches: G4 · C5 · E5
Question 7
First inversion
First inversion: root C#4, bass F4; sounding notes F4, G#4, C#5. The root stays the same when the voicing changes.
Sounding pitches: F4 · G#4 · C#5
Question 8
First inversion
First inversion: root D#4, bass G4; sounding notes G4, A#4, D#5. The root stays the same when the voicing changes.
Sounding pitches: G4 · A#4 · D#5
Question 9
Second inversion
Second inversion: root C#4, bass G#4; sounding notes G#4, C#5, F5. The root stays the same when the voicing changes.
Sounding pitches: G#4 · C#5 · F5
Question 10
First inversion
First inversion: root D4, bass F#4; sounding notes F#4, A4, D5. The root stays the same when the voicing changes.
Sounding pitches: F#4 · A4 · D5
Keep three observations separate
First independent responses: __________________________________
Corrections on the same questions: ____________________________
New-question check on a later set: _____________________________
Use fresh voicings to check the root/bass relationship without memorizing one stack of pitches.